Saturday, 27 October 2012
Monday, 22 October 2012
Tuesday, 16 October 2012
Tuesday, 9 October 2012
Doctor Who Review: Amy's Choice
I didn’t like this story that much the first time I saw it. And now, I really know how I couldn’t. I can find very little to criticise after my last viewing. Two worlds, one is a dream; one is real… but which one? It’s a brilliant and fascinating idea. And it’s done really well.
Does it look good? Yes, each world has a very unique style, and I especially liked the look of the frozen Tardis, very nice. Well acted? Yes, this is rather unique in that it only really features the main leads and one other person in main roles. And they all do great jobs. Matt Smith is his usual best, Arthur Darvill is as entertaining as usual and we’re starting to see the great Rory of Season 6 appearing and Karen Gillan gives a good performance, which for her in series 5 is quite impressive. And the other main character is the Dream Lord, the controller of the dreams, as played by Toby Jones, who seems to have had a minor role in just about everything, and he’s brilliantly sinister here. I very much like the Dream Lord, although the reveal of who he was a bit ‘meh’, rather than the big shock the writer obviously thought it was. Is it fun? Yep. Lots of jokes, lots of laughs, but also a lot of heartfelt moments that you really feel for the characters. Also, evil aliens disguised as old people? Can it get any madder?
Overall, this is a very clever and entertaining piece. The two worlds are very distinctive, each with their own style and different entertainment values. The Tardis is where most of the more serious stuff happens, but Leadworth is where all the fun happens. I mean, who doesn’t want to see Rory hit an old woman with a plank of wood? This story resolves the ongoing love triangle of the Tardis crew, and while certain specific lines might seem a bit heavy handed, it generally does it in a subtle and entertaining manner. It also introduces my favourite part of any Rory story, the bit where he dies. Always fun.
I normally go on for a lot longer, but I genuinely have nothing else to say about this episode. It’s a little gem of a story and it’s fabulously entertaining, with some great emotional moments as well. It’s very unique as well, because there’s never really been a story like this on the show before and I doubt there will be again. A must watch.
5/5
Does it look good? Yes, each world has a very unique style, and I especially liked the look of the frozen Tardis, very nice. Well acted? Yes, this is rather unique in that it only really features the main leads and one other person in main roles. And they all do great jobs. Matt Smith is his usual best, Arthur Darvill is as entertaining as usual and we’re starting to see the great Rory of Season 6 appearing and Karen Gillan gives a good performance, which for her in series 5 is quite impressive. And the other main character is the Dream Lord, the controller of the dreams, as played by Toby Jones, who seems to have had a minor role in just about everything, and he’s brilliantly sinister here. I very much like the Dream Lord, although the reveal of who he was a bit ‘meh’, rather than the big shock the writer obviously thought it was. Is it fun? Yep. Lots of jokes, lots of laughs, but also a lot of heartfelt moments that you really feel for the characters. Also, evil aliens disguised as old people? Can it get any madder?
Overall, this is a very clever and entertaining piece. The two worlds are very distinctive, each with their own style and different entertainment values. The Tardis is where most of the more serious stuff happens, but Leadworth is where all the fun happens. I mean, who doesn’t want to see Rory hit an old woman with a plank of wood? This story resolves the ongoing love triangle of the Tardis crew, and while certain specific lines might seem a bit heavy handed, it generally does it in a subtle and entertaining manner. It also introduces my favourite part of any Rory story, the bit where he dies. Always fun.
I normally go on for a lot longer, but I genuinely have nothing else to say about this episode. It’s a little gem of a story and it’s fabulously entertaining, with some great emotional moments as well. It’s very unique as well, because there’s never really been a story like this on the show before and I doubt there will be again. A must watch.
5/5
Sunday, 7 October 2012
Wednesday, 3 October 2012
Sunday, 30 September 2012
Doctor Who Review: The Angels Take Manhattan
So this is it. After two and a half years on the job, it's finally time for companions Amy and Rory to leave the Tardis. This is a big moment. They're the longest running companions of NuWho, it's the first farewell written by Steven Moffat and it's the first change of the cast since the Eleventh Doctor era began. But the question isn't 'is this an important moment?' but rather 'is it any good?'. And I'm pleased to say, yes it is.
First before this review gets overshadowed by talking about the departure, let's look at the episode's plot itself. And surprisingly, it's actually pretty good. Most of the recent 'leaving' episodes have been emotion heavy, plot-thin, but this one seems to walk the line quite well. The 1930s detective setting is stylish and effective, giving this episode a lovely period feel to it. And, of course it looks fantastic. That's something I've said every week, like "it's a bit rushed", which for once, I won't say. It was fast-paced, but not to excess. It pacing worked well with the race against time story it was telling. Of course this meant that the supporting characters weren't very well fleshed out, but they were enough for this story's need, seeing as it isn't really about any of them. Fast paced stories also aren't the best for the Weeping Angels, but while this lowered their scare factor, their plans were creepy and at points it seemed like they were specifically created just for the Ponds' exit. But, the less said about the Statue of Liberty and how the Angels built a big hotel, the better.
So yes, not a perfect episode, a few plot holes and the Angels weren't on their top form, but with a face moving story, great performances and a very tight and witty script, it would definitely be a 4/5 effort. But what really pushed it to the big 5 for me was the ending. Obviously, if you hate Amy and Rory, you won't like it. But that's not really the way you approach a review. Also, I love them. So this really is a heartbreak. From Rory's sacrifice and last minute i-always-die jokes to River's stoicism to the Doctor's face to Amy's note. If you loved it, you know. If you didn't, there's no way to explain it that will move you as much as it did the ones who loved it. So yes, I would boldly claim this is the best leaving story of NuWho, which I expect is a statement I shall receive harsh criticism for, but I stand by. Very good, slightly flawed story, but with an ending to end all endings, the show's definitely in tip-top form.
5/5
First before this review gets overshadowed by talking about the departure, let's look at the episode's plot itself. And surprisingly, it's actually pretty good. Most of the recent 'leaving' episodes have been emotion heavy, plot-thin, but this one seems to walk the line quite well. The 1930s detective setting is stylish and effective, giving this episode a lovely period feel to it. And, of course it looks fantastic. That's something I've said every week, like "it's a bit rushed", which for once, I won't say. It was fast-paced, but not to excess. It pacing worked well with the race against time story it was telling. Of course this meant that the supporting characters weren't very well fleshed out, but they were enough for this story's need, seeing as it isn't really about any of them. Fast paced stories also aren't the best for the Weeping Angels, but while this lowered their scare factor, their plans were creepy and at points it seemed like they were specifically created just for the Ponds' exit. But, the less said about the Statue of Liberty and how the Angels built a big hotel, the better.
So yes, not a perfect episode, a few plot holes and the Angels weren't on their top form, but with a face moving story, great performances and a very tight and witty script, it would definitely be a 4/5 effort. But what really pushed it to the big 5 for me was the ending. Obviously, if you hate Amy and Rory, you won't like it. But that's not really the way you approach a review. Also, I love them. So this really is a heartbreak. From Rory's sacrifice and last minute i-always-die jokes to River's stoicism to the Doctor's face to Amy's note. If you loved it, you know. If you didn't, there's no way to explain it that will move you as much as it did the ones who loved it. So yes, I would boldly claim this is the best leaving story of NuWho, which I expect is a statement I shall receive harsh criticism for, but I stand by. Very good, slightly flawed story, but with an ending to end all endings, the show's definitely in tip-top form.
5/5
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